On leaving an empty house
A full house is a home,
it has a rhythm and beat of life,
a pulse, it sings a song.
An empty house is clean, utilitarian,
a machine for living in.
then just as you turn to leave --
a widening shaft of sunlight illuminates
a corner and you remember that's where
the sewing machine stood,
and the negative shadow shapes
on the wall were
positive family portraits,
and on the refrigerator
was childrens art,
a glorious gallery lyric
celebrating life.
Friday, 30 March 2012
Wednesday, 28 March 2012
Poem # 46 Weeping
Weeping
Why feel sad? Why cry?
Is it because you see reality more clearly?
Cry for lost species
eliminated to sate our appetites.
Cry for magic that has been forgotten.
Cry for those who won't try
to find the poetry that surrounds them.
Cry for those trying to be someone
other than themselves.
Cry for originals who
want to be modified.
Cry for children who
act like adults.
Cry for those who are free
but think they're prisoners.
Cry for those who betray
their sex.
Why feel sad? Why cry?
Is it because you see reality more clearly?
Cry for lost species
eliminated to sate our appetites.
Cry for magic that has been forgotten.
Cry for those who won't try
to find the poetry that surrounds them.
Cry for those trying to be someone
other than themselves.
Cry for originals who
want to be modified.
Cry for children who
act like adults.
Cry for those who are free
but think they're prisoners.
Cry for those who betray
their sex.
Tuesday, 27 March 2012
Poem # 45 History
History
Can you jump in the same
river twice?
When we look at the same painting
is the painting that you see
the same as the painting that I see?
Why gamble our share of the present
on the future?
Investing every misery towards a happy
ending to our history.
Our combined story will never end,
either happily or unhappily,
it ends every second.
Content for some,
discontent for others.
One second up, one second down,
the beat and tempo of a rhythm,
all ways ending, all ways not ending.
Is there anything, or is there
nothing to wait for?
Can you jump in the same
river twice?
When we look at the same painting
is the painting that you see
the same as the painting that I see?
Why gamble our share of the present
on the future?
Investing every misery towards a happy
ending to our history.
Our combined story will never end,
either happily or unhappily,
it ends every second.
Content for some,
discontent for others.
One second up, one second down,
the beat and tempo of a rhythm,
all ways ending, all ways not ending.
Is there anything, or is there
nothing to wait for?
Thursday, 23 February 2012
Poem # 44 Time Space Love
Time Space Love
Space and love are one and the same,
beyond the expanding volume of
the universe space ceases to exist,
and there we would
have no space to contend
with and no time.
In our shelters if we have no space,
time accelerates dangerously.
At high speeds time is stretched
and love can jump the tracks.
At the end of the day unless
we are riding a ray of light
like a cosmic cowboy, then we need
time to slow down, we need our space,
and even just a little bit of love
can illuminate a long shadow.
Space and love are one and the same,
beyond the expanding volume of
the universe space ceases to exist,
and there we would
have no space to contend
with and no time.
In our shelters if we have no space,
time accelerates dangerously.
At high speeds time is stretched
and love can jump the tracks.
At the end of the day unless
we are riding a ray of light
like a cosmic cowboy, then we need
time to slow down, we need our space,
and even just a little bit of love
can illuminate a long shadow.
Tuesday, 21 February 2012
Poem # 43 Death Notices
Death Notices
Obituarys are towards the terminal end
Of the daily broadsheet.
I read them to marvel at the trail
individuals have left to mark their
path through life, while
I have only left muddy footprints.
There is no glimmer in the
image of the deceased,
however notable their life.
This is how the press indicates
respect for, or fear of, death.
The eyes of the significant one
in the image are
dull and flat,
as if the sparkle of
their lives and achievements
has been scattered like
magic dust amongst those
of us left behind.
Obituarys are towards the terminal end
Of the daily broadsheet.
I read them to marvel at the trail
individuals have left to mark their
path through life, while
I have only left muddy footprints.
There is no glimmer in the
image of the deceased,
however notable their life.
This is how the press indicates
respect for, or fear of, death.
The eyes of the significant one
in the image are
dull and flat,
as if the sparkle of
their lives and achievements
has been scattered like
magic dust amongst those
of us left behind.
Wednesday, 18 January 2012
Poem # 42 A Scatological poem
A Scatological poem
We filled our heads with knowledge
in the crowded room
delighted that the school was empty of
high school students.
The empty buildings were still littered
with the remains of food,
and scarred with obscene graffiti....
what the Principal did with dogs.
It was desolate outside our seminar room.
Time passed
and my stomach contracted with a natural urge.
"Where is the nearest toilet?",
I asked an executive.
"The downstairs boys are available."
"Are they clean?"
"They looked good when I checked them this morning."
Reassured I headed in their direction.
Relieved, I squatted naturally on the the bowl.
As I viewed the grotesque writing on the walls
of the cubicle
an awareness smacked me with full affront.
Quelle horreur! What a predicament!
There was no paper!
(Of course!, the school was empty, it had not been supplied)
I considered the resources at my disposal.
The water?
... I had no knowledge of the operational method.
A handkerchief?
... disposal presented a problem.
... there was nothing for it, I must venture forth.
With pants around my ankles,
waddling like a duck or a dancing Cossack dwarf,
I headed for the entrance.
I found a bin filled with useful paper.
I grabbed two sheets and
as quickly as the action allowed
returned to my former position
on the bowl.
Regaining my seat I considered my sheets.
One was a tract from a religious instruction lesson
complete with an illustration of Jesus giving the sermon
on the mount.
On the other a quote from Xenophones
" If oxen and horses and lions had hands or could draw with these
hands, horses would draw pictures of gods like horses, and oxen
like oxen, lions like lions, and the gods would resemble the bodies
each species possesses"
and a picture of Karl Marx.
Was this telling me something?
What a dilemma!
Was I to deface a picture of our Lord, or was I being invited to wipe out a
seminal concept which led to mans emancipation?
Any decision would be a philosophical commitment.
Would God forgive me?
I made a leap of pure faith,
flushed,
and pulled up my pants.
Better to live with shit
than to forsake ideals
or commit sacrilege.
It was an uncomfortable feeling.
We filled our heads with knowledge
in the crowded room
delighted that the school was empty of
high school students.
The empty buildings were still littered
with the remains of food,
and scarred with obscene graffiti....
what the Principal did with dogs.
It was desolate outside our seminar room.
Time passed
and my stomach contracted with a natural urge.
"Where is the nearest toilet?",
I asked an executive.
"The downstairs boys are available."
"Are they clean?"
"They looked good when I checked them this morning."
Reassured I headed in their direction.
Relieved, I squatted naturally on the the bowl.
As I viewed the grotesque writing on the walls
of the cubicle
an awareness smacked me with full affront.
Quelle horreur! What a predicament!
There was no paper!
(Of course!, the school was empty, it had not been supplied)
I considered the resources at my disposal.
The water?
... I had no knowledge of the operational method.
A handkerchief?
... disposal presented a problem.
... there was nothing for it, I must venture forth.
With pants around my ankles,
waddling like a duck or a dancing Cossack dwarf,
I headed for the entrance.
I found a bin filled with useful paper.
I grabbed two sheets and
as quickly as the action allowed
returned to my former position
on the bowl.
Regaining my seat I considered my sheets.
One was a tract from a religious instruction lesson
complete with an illustration of Jesus giving the sermon
on the mount.
On the other a quote from Xenophones
" If oxen and horses and lions had hands or could draw with these
hands, horses would draw pictures of gods like horses, and oxen
like oxen, lions like lions, and the gods would resemble the bodies
each species possesses"
and a picture of Karl Marx.
Was this telling me something?
What a dilemma!
Was I to deface a picture of our Lord, or was I being invited to wipe out a
seminal concept which led to mans emancipation?
Any decision would be a philosophical commitment.
Would God forgive me?
I made a leap of pure faith,
flushed,
and pulled up my pants.
Better to live with shit
than to forsake ideals
or commit sacrilege.
It was an uncomfortable feeling.
Monday, 26 December 2011
Poem #41 country town
Country town
"S'pose i better get your detail',
Said the concierge.
'What would you like to know?',
I replied, projecting what I
Hoped was bonhomie.
'What's your jock size?',
Sarcastically,
'you'd be a fat cunt!'.
We continued until finally,
'That'll be $25 cunt!'
Maybe that's their way of being
friendly?.
'I don't think so', commented
My son, 'just a dickhead'.
"S'pose i better get your detail',
Said the concierge.
'What would you like to know?',
I replied, projecting what I
Hoped was bonhomie.
'What's your jock size?',
Sarcastically,
'you'd be a fat cunt!'.
We continued until finally,
'That'll be $25 cunt!'
Maybe that's their way of being
friendly?.
'I don't think so', commented
My son, 'just a dickhead'.
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